S503五分钟英语- Supercommuter 01/17

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  • 开场白:

Good morning friends, today is Wednesday January 17th. Welcome back to the program.

I can’t believe that the first month of 2024 has already been half way through. Hope you all had a good fresh start.

In today’s episode, I am introducing an interesting piece of a supercommuter. He moved away from the big city, New Yeark, back to his roots i the Midwest, Columbus Ohio. And decided to stay at home while trying to stay at his NY office three days a week. So how did he do it?

I know a lot of people, young folks in particular, spend a lot of time on daily commute. In Shanghai, many have to live in the outskirt of the city while work in the city center. So how do you do you commute? If you are given the opportunity, would you stay near your family but become a supercommuter?

  • 阅读

I’m a Supercommuter. Here’s What It’s Really Like.

The reason for this madness: My job is in New York, but my apartment is in Columbus, Ohio. 

Bafflemen: a state of being utterly confused or bewildered. 
Underwhelm: fail to impress or make a positive impact on (someone); disappoint.
Crumbling: breaking or falling apart into small fragments, especially as part of a process of deterioration.

Using back-of-the-envelope math, I thought I could keep my expenses—rent in Ohio, plus travel costs—at or below the price of a nice New York studio, or roughly $3,200 a month.

Back-of-the-envelope: done quickly to provide a rough estimate

Luxury suites and room service

Subvert: undermine the power and authority of (an established system or institution).
Nerd out: 像书呆子一样地仔细研究

Flight delays and blown budgets

Dwindling: gradually diminishing in size, amount, or strength.
Demeanor: outward behavior or bearing.
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20世纪伟大钢琴家《阿格丽奇(1)》
20世纪伟大钢琴家《阿格丽奇(1)》
这张专辑收录了玛塔·阿格丽奇演奏的代表曲目,包括:李斯特《第一钢琴协奏曲》、拉威尔《G大调钢琴协奏曲》、拉赫玛尼诺夫《第三钢琴协奏曲》、巴赫《第二组曲》、普罗科菲耶夫《第三钢琴协奏曲》等。 玛塔·阿格丽奇(Martha Argerich)1941年6月5日出生于布宜诺斯艾利斯,阿根廷钢琴家。阿格丽奇具有女性钢琴演奏者少见的力道、速度与外放的性情,这让她的演奏风格无法被归为女性钢琴演奏者的派系中。究其原因,主要是因为阿格丽奇具有像男性钢琴演奏者一样粗壮的手臂、结实的手指,所以可以和注重力量与炫技的男性钢琴演奏者相比较。例如,在弹奏轻柔的乐曲时,她的手指只要平贴于键盘,就可以发出按压到底的音色。而在演奏大型作品时,也可以运用双手敲击出足够的音量。同时,阿格丽奇的演奏也并非一味生猛,特别是在演奏乐思比较丰富的多乐章作品时,她更注重动与静、明与暗的对比。 从具体的演奏上看,阿格丽奇的突出特点是快,即读谱快、视奏快,拿下一首作品的周期快,以及手指的速度快。例如,弹奏李斯特的奏鸣曲,左手的八个八度,她用不到一秒钟即可弹奏完。在此基础上,她的琴音可以为了求速度、求表情而不用顾及声音是否细腻。 很少有音乐家像钢琴演奏者玛塔·阿格丽奇那样被耀眼光环和神秘面纱同时笼罩。她的光环来自于年轻时的倾城倾国之美,在键盘前无懈可击的技巧。“圣手”一词也许并不能完全恰当地形容玛塔·阿格丽奇,她的特点是狂飙式的奔放激情,像雷鸣闪电般地攫住听众的心。她不但掌握了无懈可击、炉火纯青的惊人技巧,而且气势磅礴,高难度的乐段在她指下宛如等闲,令人难以相信这些力量发自一个身材不过五尺四寸的长发女子。她是一位领导钢琴技巧与美感风格的大师。
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